This year, together with the Network of Museums for Equality (RMI), we are sharing this work by Ariane Thézé.
At MIDE-CIANT, the museum is understood as an experimental and transnational practice in which image media function as a space of connection. Ariane Thézé’s work is situated at the intersection of the local and the international through the photographic medium, understood as a shared technical device that enables the circulation of practices, methodologies, and languages beyond geographical or cultural borders.
The six-part series emphasizes the reproducible, fragmentary, and modular nature of photography, highlighting its character as a relational technical medium rather than an autonomous image. From this perspective, the work invites us to reflect on how image technologies can build bridges between different realities, generating new forms of connection and shared understanding.
“Room number 24. Julián Romero Street” Ariane Thézé, 1994, Cuenca (Spain), 6 pieces (16 × 28.5 cm each). MIDE-CIANT, International Museum of Electrography / Center for Innovation in Art and New Technologies, University of Castilla-La Mancha.